Reinier Maliepaard: Musical coherence by a variable ostinato design in Wagners 'Der Engel' |
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Reinier Maliepaard: Inverting an interval as composition strategy in Britten's 'Hymn to the Virgin' |
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Ward Meijer: How to create structure using the whole tone scale, a study on 'Nacht' by Alban Berg |
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Reinier Maliepaard: Rest in Music |
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Reinier Maliepaard: Parallel motion as a structural model in Bachs Sonata II BWV526 |
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Reinier Maliepaard: Recomposing Gubaidulina Cello Prelude no. 3 |
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Reinier Maliepaard: Pitch Organization in Monologue 1 from Leonidas Sakellarides |
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Xander Slikker: Movement 2 and 4 of Anton Webern's Five movements for string quartet, op. 5 |
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Reinier Maliepaard: Cell techniques in Anton Webern's Five Pieces for Orchestra, opus 10 no. 1 |
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Reinier Maliepaard: About a musical response technique of Debussy |
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Reinier Maliepaard: Analysis of Debussy's Canope |
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Reinier Maliepaard: Analysis of Debussy's Prelude Les Tierces Alternees |
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Reinier Maliepaard: Analysis of Debussy's Syrinx for flute solo |
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Reinier Maliepaard: Analysis of Bach's Prelude BWV 1007 |
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Ward Meijer: On variation techniques employed by Brahms |
| Reinier Maliepaard: Recomposing Tchaikovsky's Coda from Symphony 6, Movement 2 |
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Reinier Maliepaard: Did Bach influence Chopin in his Mazurka op. 50, 3? |
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Reinier Maliepaard: Liszt's germinal motive in his Les Preludes. |
| Reinier Maliepaard: Romantic and impressionist harmony. |
| Barbe Vivien: Notes on 'Ecce sacerdos magnus' of Anton Bruckner. |
| Reinier Maliepaard: 'Da pacem Domine' of Arvo Pärt, based on a few medieval ideas. |
| Reinier Maliepaard: Old methods of 'chord construction' in Liszt's Resignazione and Wagner's Tristan. |
| Barbe Vivien: A 18th century instruction on writing two part fugues. |
| Reinier Maliepaard: The beginning of Haydn's Oxford Symphony: a two players game. |
| Reinier Maliepaard: Bijdrage van Christoph Bernhard aan de muzikale analyse |
| Barbe Vivien: Variation Techniques for Composers and Improvisors |
| Reinier Maliepaard: Cadens, clausula en tirata in Bach's Sinfonia 1 (BWV 787) |
| Reinier Maliepaard: J.S. Bach als compositiedocent |
| Reinier Maliepaard, Musica universalis |
| Reinier Maliepaard, Beethovens sonatevorm door de ogen van Marx [met audio] |
| Reinier Maliepaard, Beethovens sonatevorm door de ogen van Marx [PDF] |
| Reinier Maliepaard, Recepten voor de beginnende componist |
| Reinier Maliepaard, How to compose: some advice from a 18th century musician. |
| Reinier Maliepaard, How to compose: some advice from a 18th century musician. [PDF] |
| Reinier Maliepaard, How to write a song |
| Reinier Maliepaard, How to write a chorale prelude
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